Category Archives: Skills

How does piano training fail singers?

I am a singer who has the great advantage of being a pianist.  Piano is my first instrument and I was lucky enough to obtain quality instruction from the age of four.  When I entered the professional world, I realized what a huge asset my piano training was.  I was frequently being chosen for job opportunities as a voice teacher, choral director and general music educator over highly qualified singers, simply because I was able to play piano.

Thanks to my piano training, I have had the great pleasure to teach a great many singers to play piano.  What surprised me is that many of these singers had received extensive piano training, both privately and in college piano classes and yet they were still unable to function in a basic level in a vocation setting.  What went wrong?

Many of these singers blamed themselves, saying that they hadn’t practiced enough, or they were just “bad at piano” or how somehow there was something wrong with their musicianship.  That seemed impossible to me, especially since several of these supposedly “bad musicians” were elite singers, performing internationally.  (A couple of them were even Grammy nominated). So, what was the problem?

What I discovered was that the singers hadn’t failed at the piano training, it was the piano training that had failed the singers.  When I examine the syllabi of many piano classes for non-majors, I am struck by what so many of those courses entail.  There is a near-universal focus on playing scales hands together, playing challenging classical pieces hands together and tackling a variety of cadences – topics that are indeed helpful for building piano skills.  However, so much time is being spent on these challenging tasks, but is this actually useful for singers?

First of all, it is important to note that many of this traditional material was developed by pianists.  That makes sense – or does it?  These traditional piano training methods were developed to assist in building the skills a classical pianist would need in order to perform classical music.  Does this serve singers, choral conductors and general music teachers?  My contention is: absolutely not.

The more singers I trained at the keyboard, it became clear that a different approach was necessary to ensure that the right material was being taught and reinforced so that they were equipped to retain skills that would have vocational impact.  In short, singers need to learn how to play piano material that they will actually use in the professional world.  Not just pass a required class.

Here are two examples of how I approach piano training for singers.

 Scales

Playing scales hands together requires learning the particular fingerings required of each key.  This is a very time-consuming process that requires frequent repetition to learn and many months or years of repetition in order to actually retain this as a skill.  Instead of working on scales, I focus on learning how to play voice exercises hands separately in 12 keys with universal fingerings.  This fulfills the development of technical fluency in a work-related context.

Hands together classical music

So many piano classes require singers to play challenging classical works like Bach Inventions and Bartok Microcosmos.  While I agree that these pieces are useful for developing two handed independence, this is also time consuming and not immediately useful.

The first thing I work on is learning how to “fake”.  “Faking” means that you are creating accompaniments using chords and is commonly used in jazz and pop music.  In order to create these accompaniments, we work on playing triads and four note chords in 12 keys and then learn a variety of left- and right-hand patterns to create accompaniments.  It is much easier to fake accompaniments than it is to read exactly what is written on the page, so having this skill can drastically speed up a singer’s ability to accompany themselves and their students.  Plus, faking works just as well for classical music and music theatre as it does for pop and jazz.

By focusing the training down to these simpler topics does not mean that I think singers shouldn’t learn how to play classical music or hands together scales.  I just don’t think these are the first skills they should learn.  Instead, we should equip our voice students will real world skills that will ensure they have every opportunity available.  Empowering our singers at the piano should be a central part of their training.

Brenda Earle Stokes is the owner and creator of Piano Skills for Singers – the only online piano course for singers, created by a singer.  Her passion is empowering singers to gain the skills they need at the keyboard to increase their opportunities in the music industry.

Take the OMG out of DIY

I know I’m not alone when I say that there are a lot of things in business and life that I have zero affinity for.  I’m not a tech person, my administrative skills are so-so at best and I am not a naturally organized person.  At the start of last year, I made a big list of a bunch of dream projects that I have been wanting to tackle for a long time and I realized that there was one thing separating me from achieving them:  they would all require skills I don’t have.

I considered my options.   I could either:

1.  hire someone to do them or 2. Figure it out on my own.

Not having thousands of dollars at my disposal, I had no choice but to take the “figure it out” route.

Somehow in the last 18 months, I have managed to tackle several impossible-it-will-never-ever-happen tasks in a pretty successful way.  I learned how to record video and audio, how to edit multicamera videos, resulting in a successful online course and dozens of videos posted on my YouTube channel.  I also managed to do all of my own publicity and radio distribution for a new album, which got 10x more press and radio interest then my last album, which I paid a professional publicist thousands of dollars to promote.

Now I’m not bragging (well, maybe just a little…), I’m just trying to promote the idea that if I can do it, literally anyone else on Earth can.  It took some serious elbow grease, and some swearing at the computer and vowing never to take on a project like this again, but even though they felt totally undoable, these projects actually got done.  I’m going to share a few tips on how you too can tackle some of your dream projects in a DIY fashion.

  1. Figure out what skills and equipment you need. 

In order to tackle promoting my new album, I needed to gain some administrative skills that I didn’t have.  I learned that in order to send mass emails, you needed something called a “mail merge”.  For my video work, I researched which cameras and software would be effective and easy to use for my purposes.

  1. Ask for help.

Do you have a friend who is an expert at a skill you lack?  Ask them for tips on how to get started.  My friend Jan is an admin wiz and she was super helpful in answering a few questions about how to get started creating and Excel spreadsheet.

  1. Give yourself lots of time.

You’ll need time to get comfortable as you work through these new skills and you will make a lot of mistakes along the way.  Don’t give yourself a too-tight deadline, as it will take some time to use these new skills.

  1. Take an online course.

As I was getting my mind around learning how to do my own publicity, I heard of a fantastic online course called JazzFuel.  Taught by one of the top jazz managers in Europe, I learned step-by-step to prepare and execute this huge project.  It was time and money well spent!

  1. Don’t forget YouTube.

You can pretty much learn anything on YouTube as there are video tutorials for pretty much any topic under the sun.  I taught myself the video editing software Final Cut Pro using a variety of YouTube videos.

  1. Take notes as you go.

I have kept elaborate records of each step of my DIY learning, from which YouTube links I used, to step-by-step directions on how to do everything from setting up the audio on a video shoot to how to print mailing labels.  I keep all of this in a file on my computer called “How to do things” and saves me hours of time.  You can also make notes on what worked and what didn’t work, so you don’t have to repeat the same mistakes for the next project.

As we move into a new year (and new decade), everyone is starting to think about what is on the horizon.  Consider what you would be able to achieve if you weren’t hindered by the skills that you lack.  What would you accomplish if you could DIY?

On Confronting Hairy Monsters

Everybody has hairy monsters in the life. You know them. The list of difficult tasks that you’ve been meaning to get to and have been avoiding for months or maybe even years. You know you need to do them. You know they are high value. But they are just complicated and frustrating enough that you have just stuffed them under the bed and hoped that they won’t come out again. Perhaps you prioritize other tasks or get busy with other chores, but the monsters keep lurking until you one day take them on.

Tasks that pull at us often do so because they are actually really important and may even hold the key to massive growth in your personal or professional life. These are high value and high impact Continue reading

So You Don’t Have to Marry A Piano Player!

My first instrument is piano. Lessons starting at age 4, Royal Conservatory training until grade 9, when I quit to take up jazz piano full time. I spent the entire four years of university transcribing Bud Powell solos and practicing in the “woodshed” for 8 hours a day. Besides a little singing in the church choir when I was a kid, I didn’t really start singing seriously until I was in my early 20s. Continue reading