Category Archives: Singers

Getting Started: How to use the Teachable Platform

Welcome to the courses!  Here is a quick-and-dirty tutorial on how to utilize the Teachable Platform.  Teachable is such a user-friendly and intuitive platform, which is why I chose it as the home of my entire suite on online courses!  Check out this short tutorial to get oriented!

Want to check out the courses? 

CLICK THIS LINK to see the entire suite of online courses and get started learning piano TODAY!

Which Piano and Voice with Brenda online course is right for me?

Now that there are FOUR courses live at Piano And Voice With Brenda, I have been getting a lot of questions about which course to choose.  This quick little list should help you get started choosing the perfect course to help you get secure at the keyboard.  If you have any other questions, please don’t hesitate to email me at brenda(at) pianoandvoicewithbrenda (dot) com. I’m here to help!

Piano Skills for Singers Level 1 is for you if:

  • You have never played piano before
  • You haven’t taken piano lessons in a long time
  • You want a simple starting point
  • You want to get back into a practice routine and regain some technical fluidity

Piano Skills for Level 2 is for you if:

  • You have completed Level 1
  • You have piano experience, but there are a lot of gaps in your ability
  • You need to learn how to play chords
  • You need to learn how to create your own accompaniments
  • You need to learn how to play voice exercises in 12 keys easily

Do you have to be a singer to take Piano Skills for Singers?

Absolutely not!  Although these courses are geared towards singers, anyone would benefit from these well organized and easy-to-use courses.

Jazz Piano Accompaniment is for you if:

  • You have taken Level 2
  • You are a classically trained pianist and want to learn jazz
  • You want to learn how to play from a fake book
  • You can play chords and you want to play authentic jazz accompaniment

*If you can’t play chords fluidly, you can purchase the “Learn to Play Chords Symbols” course at a deep discount.

Piano Improvisation for Everyone! is for you if:

  • You are a classically trained pianist who wants to learn how to improvise
  • You are looking for a fresh new way to explore your creativity at the keyboard
  • You are a piano teacher looking for a new bag of tricks to share with your students
  • You want to develop your technical fluidity on the piano in a more creative way
  • You are a jazz player who wants to develop a deeper connection to improvisation
  • You are a circle singer or vocal improviser who is looking for a deeper toolkit
  • You are a songwriter or a composer looking for more inspiration

Private lessons are best for you if:

  • You are having technical difficulties, like tension, discomfort when you are playing, etc.
  • You have a specific set of concerns that are not covered by the courses
  • You prefer one-on-one instruction
  • You want to kick start your online course experience
  • You want to work on your singing (I teach that too!)
  • You have completed one or more of the courses and are keen to find the next step
  • You want to take occasional or regular lessons via Skype, FaceTime or Zoom

If you need help deciding which Piano Skills for Singers Course is right for you, please email me at brenda@pianoandvoicewithbrenda.com and I’ll help you!

VIDEO: 7 Reasons you should improvise at the piano

Improvisation is not just for jazz musicians! Improvisation is an incredible tool to build and expand your skills at the piano, while exploring your own creative voice.

 

Want to learn to improvise?  Check out my new online course Piano Improvisation for Everyone!

VIDEO: Learn to play a blues in record time!

Learning to play on the blues is a lot of fun and is a wonderful gateway into jazz improvisation. The Blues is a style of African American music that came into popularity in the late 1800s and early 1900s. Some important figures are Ma Rainey, Bessie Smith, John Lee Hooker as well as Buddy Guy and B. B. King. Singing and playing the blues is very expressive, as the style was created to express sad and frustrating feelings through music.

The blues shows up heavily in jazz and is widely known to have been the precursor to rock and roll and R&B. Understanding the blues not only gives you a snapshot into this important musical style, but it also provides a structure for deeply satisfying improvisations. In this quick tutorial you will learn:

  1. The 12 bar blues form
  2. How to play the chords
  3. How to walk a bass line
  4. How to improvise on a blues

Easy to understand and addictively fun to play – and you learned it in under 15 minutes!

Check out the video!  (Don’t forget to hit subscribe and leave a comment below)

 

Want to continue learning jazz piano?  Check out my online course Jazz Piano Accompaniment and build authentic jazz skills in a fun and easy way!

Introducing…Piano Improvisation for Everyone!

Drumroll please….I am excited to announce the launch of my brand new online course called Piano Improvisation for Everyone!

Piano Improvisation for Everyone! is a course designed to get you improvising satisfying music at the piano. In this unique curriculum, you will learn a variety of techniques to get started improvising exciting music at the keyboard. Learn how to explore different harmonic material, melodic ideas, accompaniment techniques and started points for creating improvisation compositions. In addition, we cover how to improvise pop piano solos and jam on the blues!

This course is perfect from pianists of any level, from experienced beginner too advanced. Piano teachers will also get some great ideas and exercises to work on with their students. Discover the enjoyment of developing your technique, harmony and rhythm in a creative environment. Experiment with new sounds and ideas to apply to your songwriting or composing. The exercises are structured, but open ended enough that you could take the work in whatever direction you want to go.

Check out the course HERE!

Video: What is your why? Strategies for Success

It is easy to get bogged down with lists of things you have to do, but before that you need to identify your “why”. Why do you want to learn piano? Leave your comments below…

Want to know more about my work?  Check out my suite of unique online  piano courses  –     Piano and Voice With Brenda. Find out why hundreds of people worldwide are raving about this work!

Video: How to establish a practice routine

Here are tips and solutions to the “how the heck am I supposed to practice” problem. As a longtime teacher, I have 25+ years of helping people to achieve their musical goals and gain much-needed piano skills. Make sure to check out my mom-hack where I share how I get my son to practice every day! (Don’t forget to hit subscribe and leave a comment below.)

 

Enjoying this information?  Check out Piano and Voice With Brenda – my suite of unique online courses that will take your piano playing to the next level!

Which Piano Skills for Singers course is right for me?

Now that there are FOUR courses live at Piano Skills for Singers, I have been getting a lot of questions about which course to choose.  This quick little list should help you get started choosing the perfect course to help you get secure at the keyboard.  If you have any other questions, please don’t hesitate to email me at brenda(at) pianoandvoicewithbrenda (dot) com. I’m here to help!

Level 1 is for you if:

  • You have never played piano before
  • You haven’t taken piano lessons in a long time
  • You want a simple starting point
  • You want to get back into a practice routine and regain some technical fluidity

Level 2 is for you if:

  • You have completed Level 1
  • You have piano experience, but there are a lot of gaps in your ability
  • You need to learn how to play chords
  • You need to learn how to create your own accompaniments
  • You need to learn how to play voice exercises in 12 keys easily

Jazz Piano Accompaniment is for you if:

  • You have taken Level 2
  • You are a classically trained pianist and want to learn jazz
  • You want to learn how to play from a fake book
  • You can play chords and you want to play authentic jazz accompaniment

*If you can’t play chords fluidly, you can purchase the “Learn to Play Chords Symbols” course at a deep discount.

Piano Improvisation for Everyone! is for you if:

  • You are a classically trained pianist who wants to learn how to improvise
  • You are looking for a fresh new way to explore your creativity at the keyboard
  • You are a piano teacher looking for a new bag of tricks to share with your students
  • You want to develop your technical fluidity on the piano in a more creative way
  • You are a jazz player who wants to develop a deeper connection to improvisation
  • You are a circle singer or vocal improviser who is looking for a deeper toolkit
  • You are a songwriter or a composer looking for more inspiration

Do you have to be a singer to take Piano Skills for Singers?

Absolutely not!  Although these courses are geared towards singers, anyone would benefit from these well organized and easy-to-use courses.

If you need help deciding which Piano Skills for Singers Course is right for you, please email me at brenda@pianoandvoicewithbrenda.com and I’ll help you!

What Piano Skills Do Singers Need?

As a follow up to my blog post “How does piano training fail singers?”, I wanted to make a clear list of the actual skills that singers need in order to be successful.   Let’s face it:  many of us are going to need to be employed in a range of different ways in order to piece together a living.  Many of the job opportunities available to singers require strong keyboard skills.  Here is my master list of skills singers need.

All singers should be able to:

  • Play voice exercises in 12 keys hands separately
  • Play major and minor triads in 12 keys hands separately
  • Play melodies in the right hand with decent fingerings
  • Create simple accompaniments using chords (“faking”)

This basic skill set will enable a singer to practice on their own, accompany themselves, teach voice lessons, work as a section leader of a chorus, direct a community chorus and lead a singalong with children or adults.

In addition to these above skills, here are a list of piano skills that singers in different genres need.

Pop singers should be able to:

  • Play seventh chords and sus chords in 12 keys
  • Create simple accompaniments that include a bass line in the left hand
  • Play different rhythmic grooves in good time

Jazz singers should be able to:

  • Play seventh chords in 12 keys
  • Play from a lead sheet
  • Walk a bass line in the left hand, while comping rhythms in the right hand
  • Play jazz chord voicings
  • Play a Bossa Nova and other Latin grooves

Music Theatre singers should be able to:

  • Play voice exercises in 12 keys hands separately
  • Play major and minor triads in 12 keys hands separately
  • Play melodies in the right hand, while playing bass notes or chords in the left hand
  • Fake accompaniments of a variety of styles

Classical singers should be able to:

  • Play melodies in the right hand with correct articulation
  • Do simple chord analysis of scores, jotting in chord symbols
  • Play classical style accompaniments like Alberti bass and rolled adagio styles
  • Play at least 2 parts at a time of SATB choral music

Choral Conductors should be able to:

  • Play 2, 3 and 4 parts at a time of SATB choral music
  • Play a wide range of accompaniments for vocal warm-ups
  • Conduct from the piano, while playing exerpts of the score

General Music teachers should be able to:

  • Play simple accompaniments and sing at the same time
  • Play accompaniments for vocal warm-ups
  • Play interpretive music for movement and interpretation

Early Childhood Music Teachers should be able to:

  • Lead a singalong while creating simple accompaniments on the piano
  • Play and sing without looking at the keyboard (looking at student’s faces instead)
  • Play interpretive music for movement and interpretation

I have had the luxury of being employed in every single role I have listed here and these skills have been wildly helpful in my being successful in each position.

Have I overlooked any skills on this list?  Leave a reply above!

Are you missing any of these skills?  Don’t fret!  It is possible to learn each of these skills quickly, easily and inexpensively, with some work and consistency.  Check out Piano Skills for Singers – the only online piano course for singers, created by a singer.

How does piano training fail singers?

I am a singer who has the great advantage of being a pianist.  Piano is my first instrument and I was lucky enough to obtain quality instruction from the age of four.  When I entered the professional world, I realized what a huge asset my piano training was.  I was frequently being chosen for job opportunities as a voice teacher, choral director and general music educator over highly qualified singers, simply because I was able to play piano.

Thanks to my piano training, I have had the great pleasure to teach a great many singers to play piano.  What surprised me is that many of these singers had received extensive piano training, both privately and in college piano classes and yet they were still unable to function in a basic level in a vocation setting.  What went wrong?

Many of these singers blamed themselves, saying that they hadn’t practiced enough, or they were just “bad at piano” or how somehow there was something wrong with their musicianship.  That seemed impossible to me, especially since several of these supposedly “bad musicians” were elite singers, performing internationally.  (A couple of them were even Grammy nominated). So, what was the problem?

What I discovered was that the singers hadn’t failed at the piano training, it was the piano training that had failed the singers.  When I examine the syllabi of many piano classes for non-majors, I am struck by what so many of those courses entail.  There is a near-universal focus on playing scales hands together, playing challenging classical pieces hands together and tackling a variety of cadences – topics that are indeed helpful for building piano skills.  However, so much time is being spent on these challenging tasks, but is this actually useful for singers?

First of all, it is important to note that many of this traditional material was developed by pianists.  That makes sense – or does it?  These traditional piano training methods were developed to assist in building the skills a classical pianist would need in order to perform classical music.  Does this serve singers, choral conductors and general music teachers?  My contention is: absolutely not.

The more singers I trained at the keyboard, it became clear that a different approach was necessary to ensure that the right material was being taught and reinforced so that they were equipped to retain skills that would have vocational impact.  In short, singers need to learn how to play piano material that they will actually use in the professional world.  Not just pass a required class.

Here are two examples of how I approach piano training for singers.

Scales

Playing scales hands together requires learning the particular fingerings required of each key.  This is a very time-consuming process that requires frequent repetition to learn and many months or years of repetition in order to actually retain this as a skill.  Instead of working on scales, I focus on learning how to play voice exercises hands separately in 12 keys with universal fingerings.  This fulfills the development of technical fluency in a work-related context.

Hands together classical music

So many piano classes require singers to play challenging classical works like Bach Inventions and Bartok Microcosmos.  While I agree that these pieces are useful for developing two handed independence, this is also time consuming and not immediately useful.

The first thing I work on is learning how to “fake”.  “Faking” means that you are creating accompaniments using chords and is commonly used in jazz and pop music.  In order to create these accompaniments, we work on playing triads and four note chords in 12 keys and then learn a variety of left- and right-hand patterns to create accompaniments.  It is much easier to fake accompaniments than it is to read exactly what is written on the page, so having this skill can drastically speed up a singer’s ability to accompany themselves and their students.  Plus, faking works just as well for classical music and music theatre as it does for pop and jazz.

By focusing the training down to these simpler topics does not mean that I think singers shouldn’t learn how to play classical music or hands together scales.  I just don’t think these are the first skills they should learn.  Instead, we should equip our voice students will real world skills that will ensure they have every opportunity available.  Empowering our singers at the piano should be a central part of their training.

Brenda Earle Stokes is the owner and creator of Piano Skills for Singers – the only online piano course for singers, created by a singer.  Her passion is empowering singers to gain the skills they need at the keyboard to increase their opportunities in the music industry.